Alexander MacSween large

Alexander MacSween

Stratford debut: Composer and sound designer of Christina, The Girl King. Theatre: Marie Brassard/Infrarouge’s The Darkness, Peepshow, The Glass Eye, The Invisible, La fureur de ce que je pense; François Girard’s The Hunting Gun; Brigitte Haentjens/Sybillines’ Woyzeck, Douleur exquise; Robert Lepage/Ex Machina’s Zulu Time; Wajdi Mouawad’s Des Femmes; Necessary Angel Theatre Company’s Hamlet, Divisadero: A performance. Dance: Natasha Bakht’s White Space, Dafeena; Nova Bhattacharya’s Calm Abiding; Ame Henderson/Public Recordings’ What We Are Saying; Montréal Danse’s Le Ciel brûlant des heures; José Navas/FLAK’s Portable Dances, Anatomies; Naomi Stikeman’s Çaturn. Film: Dafeena (Mouvement Perpetuel), Cinéma des aveugles (Daniel Canty/Metafilms), Dances for Dzama (Dana Gingras). Recordings: Several recordings as drummer, electronic musician and/or composer with, among others, Fortner Anderson, Bionic, Foodsoon, Jerry Jerry and the Sons of Rhythm Orchestra, The Nils, Pest 5000, Sam Shalabi and Martin Tétreault.