A great period of English drama – perhaps the greatest – began in the 1580s with the establishment in London of professional companies and professional theatres, and came to an abrupt end in 1642 when both theatres and companies were closed by the Puritans in the wake of civil war. We think of it as Shakespeare’s era, but it was far from being his alone. This year’s playbill includes not only three plays by Shakespeare, but a production of one of the other great English plays of his time – The Changeling by Thomas Middleton and William Rowley. With this in mind, the Shakespeare and Company series investigates the links and the differences between Shakespeare and his contemporaries and spotlights an incredibly rich area of drama still waiting to be fully explored.

A Personal Performance History 
Robert Cushman, theatre critic of the National Post (Canada), and before that of The Observer (U.K.), looks back on the productions of non-Shakespearean Elizabethan and Jacobean drama that he has seen in both countries: the acknowledged classics and the surprising discoveries. 

Photo: Quincy Armorer (centre) as Nightingale, with members of the company in Bartholomew Fair. Photographer: David Hou.