Alexander MacSween large

Alexander MacSween

2015: Composer and sound designer of Oedipus Rex and sound designer of The Last WifeSecond season. Stratford: Christina, The Girl King. Theatre: Marie Brassard’s The Darkness, Peepshow, The Glass Eye, The Invisible, La fureur de ce que je pense; François Girard’s The Hunting Gun; Brigitte Haentjens’ Woyzeck, Douleur exquise; Robert Lepage’s Zulu Time; Wajdi Mouawad’s Des Femmes; Necessary Angel’s Hamlet, Divisadero. Dance: Natasha Bakht’s White Space, Dafeena; Ame Henderson/Public Recordings’ What We Are Saying; Montréal Danse’s Le Ciel brûlant des heures; José Navas’s Portable Dances, Anatomies, Dénouement; Paul-André Fortier’s Misfit Blues; Naomi Stikeman’s Çaturn. Film: Dafeena (Mouvement Perpetuel), Cinéma des aveugles (Daniel Canty/Metafilms), Dances for Dzama (Dana Gingras). Recordings: Many recordings as drummer, electronic musician and/or composer with, among others, Fortner Anderson, Bionic, Foodsoon, Jerry Jerry and the Sons of Rhythm Orchestra, The Nils, Pest 5000, Sam Shalabi and Martin Tétreault. Alexander’s latest recording is The Squiggle Game (2014, &records). www.alexandermacsween.com.