ALL IN THE TELLING

Drawing on Saul Rubinek's own family history, including his father's life as an actor and his parents' experiences as Holocaust survivors, All in the Telling explores what happens when a son begins recording the stories his parents have carried with them for a lifetime. This deeply personal play is a reminder of why we tell the stories of our most difficult histories, even when we have spent years avoiding them, when memory is painful or uncertain and when we question our own right to tell them. This will be the world première of this play, developed in collaboration with Starvox Entertainment and Crow's Theatre and directed by Crow's Artistic Director, Chris Abraham. It is presented alongside The Merchant of Venice and Playing Shylock.

Three Plays in Conversation 
From Shakespeare's Shylock to Saul Rubinek's family story, three productions explore Jewish identity, memory and representation

Shylock occupies an uneasy place in the theatrical canon.

He was a product of the cultural imagination of the time, imagined by Shakespeare more than 300 years after the expulsion of Jews from England and roughly 60 years before their formal readmission.

Although Shakespeare had almost certainly never met a Jew, he nevertheless created a character who has sparked debate for hundreds of years and remains a flashpoint for questions of antisemitism, identity, memory and representation.

In the 2027 season, we are presenting The Merchant of Venice alongside Playing Shylock and All in the Telling, a three-play exploration of how Jewish identity has been imagined, contested and lived across generations.

The idea to present this triptych of plays comes from Saul Rubinek, one of Canada’s great actors who began his career at the Stratford Festival in the 1960s. Following the highly successful Toronto and Off-Broadway runs of Playing Shylock, Rubinek became passionately interested in having the one-person show play alongside Merchant.

The addition of Rubinek’s new play, All in the Telling, creates a still more compelling arc for the grouping: from a Jewish character imagined from outside Jewish experience, to a contemporary Jewish actor confronting that portrayal, to a Jewish playwright drawing upon his own family’s history.

In The Merchant of Venice, Rubinek takes on a character who has inspired discomfort, argument and reinterpretation across four centuries. The play asks audiences to grapple not only with Shylock himself, but with the society that shapes him and the shocking fate that ultimately befalls him.

Playing Shylock brings the discussion into the present. Rubinek portrays an actor who learns that his production of The Merchant of Venice has been cancelled and responds with a searching, deeply personal and often funny examination of Shylock, antisemitism, artistic freedom and the responsibilities that come with telling difficult stories.

All in the Telling moves to lived experience. Drawing on Rubinek’s experience as the son of Holocaust survivors in Poland, it explores family memory, inherited trauma, intergenerational conflict and the way Jewish identity is preserved, reshaped and carried forward.

Together, the plays explore not only how Jewish identity is portrayed or remembered, but how it endures.

This season’s schedule has been carefully constructed to allow as many opportunities as possible for the plays to be seen together, including pairings of The Merchant of Venice and Playing Shylock, and one remarkable opportunity to see all three plays in one day.

SEE TWO OR THREE AND SAVE!

Venue Capacity: 185 seats