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  • On the left, Rosaline looks off proudly as Berowne extends his hand behind her, and on the right, text says, "Love
  • Nathaniel, Dumaine, Longaville, the King of Navarre, Berowne and Holofernes strike a pose and stand for a photo with smiles on their faces.
  • Don Armado holds a disheveled looking Moth in his arms, there is luggage piled on top of him.
  • Maria, the Princess of France, Katharine and Rosaline stand around looking at Katharine’s cell phone.
  • Berowne approaches Rosaline with a look of excitement and realization.
Studio Theatre
August 23 – October 1 |
Opens September 9
Shakespeare

LOVE'S LABOUR'S LOST


by William Shakespeare

Directed by Peter Pasyk

Audience Advisory »


“NEVER DURST A POET TOUCH A PEN TO WRITE/UNTIL HIS INK WAS TEMPERED WITH LOVE'S SIGHS.”


A beloved early comedy by Shakespeare is reimagined for modern audiences. Seeking self-improvement, the King of Navarre and his three best friends swear off sex and love for three years, just as the Princess of France and three other women arrive on a diplomatic mission. Light-hearted drama reaches its climax in the twist ending of this touching and funny coming-of-age story.

Setting: Contemporary


House Program: Love's Labour's Lost

Runtime: One hour and 52 minutes. Please note there will not be an intermission in this performance.*

*Please note that all run times are approximate and can vary frequently during previews.


Production support is generously provided by Catherine Elliot Shaw in memory of John D. Shaw, and by the Tremain family.

The appearance of members of the Birmingham Conservatory in Love's Labour's Lost is generously supported by The Marilyn and Charles Baillie Fund and by Alice & Tim Thornton.

Photo credits: From left – Amaka Umeh and Tyrone Savage. Photo by Ted Belton.

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