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THE MAKING OF A KILLER QUEEN
Upon the death of Edward VI, the princess Mary – daughter of Henry VIII and Katherine of Aragon – easily wrests the throne from Edward’s official heir. But Mary remains haunted by her mother’s ghost, urging her toward the course that will earn her the nickname of Bloody Mary.
Following The Last Wife and The Virgin Trial, this fascinating exploration of women, power and the nature of leadership concludes Hennig’s brilliant Queenmaker Trilogy.
House Program: Mother's Daughter
This play contains coarse adult language and deals with mature themes. It is generally unsuitable for most children and some younger teens. Strobe lights are used in this production.
by Kate HennigDirector Alan DilworthWorld première commissioned by the Stratford Festival
Production support is generously provided by Charles Beall & Karon Bales, by Dr. Robert & Roberta Sokol, by Sylvia Soyka, and by Catherine & David Wilkes.
Support for the creation of Mother’s Daughter was generously provided by The Foerster Bernstein New Play Development Program and by Charles Beall & Karon Bales.
Support for the 2019 season of the Studio Theatre is generously provided by Sandra & Jim Pitblado.
2019 publicity photography by David Cooper.
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