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Death and the King’s Horseman is set in Nigeria during the 1940s, a time when the British Empire was beginning to lose direct control of its colonized lands. What does it mean to perform this play in Canada, a country with its own history of colonization? Join dramaturge Wolé Oguntokun and others as we examine what it means for Soyinka’s masterpiece to be produced in today’s world.
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Michael Meighen and The T.R. Meighen Family Foundation.
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