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Death and the King’s Horseman is set in Nigeria during the 1940s, a time when the British Empire was beginning to lose direct control of its colonized lands. What does it mean to perform this play in Canada, a country with its own history of colonization? Join dramaturge Wolé Oguntokun and others as we examine what it means for Soyinka’s masterpiece to be produced in today’s world.
Support for The Meighen Forum is generously provided by Kelly & Michael Meighen and The T.R. Meighen Family Foundation.
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